Thing a Week 47: I’m Your Moon A few people suggested I…

Thing a Week 47: I’m Your Moon

A few people suggested I do a song about Pluto, and I thought it was a fine idea. It was turning around in my head last week when the first line of the chorus came to me, as if from deep space.

As you certainly know by now, Pluto is not a planet anymore. Just yesterday the International Astronomical Union made it official by redefining “planet.” Pluto is a now considered a dwarf planet, along with a few other small, icy spherical things out there. Obviously very upsetting to Pluto. As you are also no doubt aware, Pluto’s moon Charon is kind of unusual: it’s about half the size of Pluto, which is pretty large for a moon. And it doesn’t orbit around Pluto, they actually orbit around each other, faces locked, like dancers. You wouldn’t be crazy to think of them as a double dwarf planet.

What I’m getting to is this: Charon sings this song to Pluto.

PRESENT DAY JOCO SAYS: This is probably an even more impenetrable riddle song than Under the Pines. I forget because it’s so obvious to me that it’s about Pluto, but listening just now I realize there’s not really any way you’d know that unless I told you. In spite of that, it’s become an important part of the repertoire, especially in the live acoustic show.

One reason for that is that it’s a better song. Actually in my opinion it’s a little hacky – it’s a “space song,” you know, I can hear myself dipping into the bag of tricks for stuff that sounds like that. The Aadd2, the slathered reverb and delay. But the concept works so much better – this song expresses a more specific and complicated sentiment than what’s going on with Leonard Nimoy and Bigfoot. So even if you don’t know the story, it still comes across as meaningful and sweet and kind of deep. Also there’s no style parody happening (just some slightly lazy writing and arranging). I give myself points for some interesting guitar playing instead of just strummy strummy all the time. And the way the bridge wheezes to a disorienting stop feels like a good choice. Less reverb was called for though, for sure.

This is one of those songs that a lot of people really latch onto. I just got a little weepy while listening to it because I thought of all the stories people have told me about singing it to their newborns and playing it at their weddings. I was just thinking about Pluto when I wrote it, but since it left my hands it’s been infused with the essence of all these other relationships. And so now the Pluto thing really is just a metaphor, and when I hear it or sing it I think about all those real people feeling things. Which is awesome – I love hearing that songs of mine have taken up residence in people’s emotional lives. That’s the point of songs, isn’t it?

I have no memory of writing this one either.

Listening just now, I realize that the lyrics and melody have evolved a little over the years of me playing this on the acoustic. Small changes, but they stick out – I think I’m more a fan of the acoustic version. That’s one of the side effects of the breakneck pace of Thing a Week, where the writing happened mere hours away from the final, permanent recording. (Yeesh, just writing it out that way makes it sound like a bad idea.) There was never any time for a song to sit and breathe and grow up. I still think this is a good song and I’m very proud of it, but I think it had more to give.

You can find more info on this song, a store where you can listen to everything, and also other stuff at jonathancoulton.com.

Thing a Week Redux 2011-08-22 09:13:21

I think that my experience would be very different if I were opening for a band that wasn’t so close to my universe. Opening for TMBG has been great. For one thing, our fanbases overlap quite a bit, so there’s always a vocal cluster of JoCo fans making me feel like people actually want me there. And many of those TMBG fans who aren’t JoCo fans are also predisposed to BECOME JoCo fans, since, you know, TMBG and I are Pandora neighbors. So I do hope that expansion is one of the benefits of this opening band gambit, but I also am confident that we’re all going to have a good time whether that happens or not.

They will never open for me, they are rock stars.

Thing a Week 46: You Ruined Everything I was having a…

Thing a Week 46: You Ruined Everything

I was having a conversation with a friend who had recently become a parent, and she reminded me of something I had forgotten about since my daughter was born. She was describing this what-have-I-done feeling – I just got everything perfect in my life, and then I went and messed it all up by having a baby. I don’t feel that way anymore, but the thought certainly crossed my mind a few times at the beginning. Eventually you just fall in love and forget about everything else, but it’s not a very comfortable transition. I compare the process to becoming a vampire, your old self dies in a sad and painful way, but then you come out the other side with immortality, super strength and a taste for human blood. At least that’s how it was for me. At any rate, it’s complicated.

PRESENT DAY JOCO SAYS: This is one of those songs that I feel grateful to have found. It’s by far the most directly personal song in Thing a Week, and probably in my entire catalog. I love it because it expresses how I really feel about this very important part of my life without ducking for cover cover behind a giant squid or a mad scientist character. It’s a love letter to my kids, one that I think has enough emotional complexity in it that they’ll understand it over and over again in different ways as they get older. Or not. My daughter recently asked me, “Daddy, is there a different kind of ruined?” Well yeah, sort of.

Personal songs feel perilous to me. It’s scary to reveal what I think and feel about something, even in conversation with a single person, let alone with the whole internet. There’s the risk that I’ll reveal something about myself that I think is universal, and instead everyone will finally know what a monster I am. That doesn’t seem to be the case with this one – I’ve heard from lots of parents that this hits pretty close to home, and even from some non parents who find that this describes their romantic relationships pretty well. Those fears aside, I find it very hard to say honest things about myself in a song without it sounding like the sappy, maudlin, navel gazing stuff I used to write in high school. Somehow I got away with it here, but usually if you describe how you feel about something and then just make it a song lyric, it stinks. That’s why it’s often easier and somehow MORE honest to start with an imaginary point of view and let your true self sneak in. 

I have no memory of writing this song.

If I have any regrets, it’s that I didn’t just do a plain old acoustic/vocal recording. I’ve been performing it live that way for years, and it just works better that way. It’s a simple song, and it communicates just fine without any bells and whistles. I like tucking it away at the end of the set, a little quiet moment when I can close my eyes and think about my kids, far away, fast asleep in Brooklyn.

You can find more info on this song, a store where you can listen to everything, and also other stuff at jonathancoulton.com.

Thing a Week 45: Mr. Fancy Pants I tried to write something…

Thing a Week 45: Mr. Fancy Pants

I tried to write something else, believe me. But this stupid line about Mr. Fancy Pants having the fanciest pants just wouldn’t get out of my head, so I was forced to follow it through to whatever this is. I’ll warn you, it’s a short one. A nice little amuse bouche (but for your ears). Even so I kind of like it – some kind of strange morality lesson about beating Mr. Fancy Pants at his own game. Or something. Anyways!

PRESENT DAY JOCO SAYS:

I remember a moment from this week when I was riding my bike around Prospect Park with the first line of this song stuck in my head, and wishing it would leave so I could get to work on WRITING SOMETHING. I would often ride when I needed to clear my head and find a new idea. I found that if I put my body into some kind of autopilot mode – riding, walking, driving – it would sometimes occupy just enough of my brain’s bandwidth to shut off the censors, and then something would bubble up. It didn’t always work, and in this case I ended up right where I started, with the same dumb non-idea I was trying to escape.

As it turns out, this song was a good one, though you never could have guessed. All I had was a bouncy feel, a not-really-rhyming line about pants, and an otherwise empty idea bin. I decided to try writing without a subject, just following the words where they led. In this case they led back to pants. It’s not about anything really, though it certainly pretends to be. I like how it leaves you at the end, with a hollow victory over who knows what, not really knowing how you’re supposed to feel or who the villain was.

I love the chords in the bridge. They’re something I found more with my fingers than with my brain. It’s almost like this song was generated by the non-thinking parts of me, by the systems level utilities – sitting down and typing gibberish until something gets traction. Strangely, it was the first time I tried this technique during Thing a Week, and I wish I had surrendered to it earlier. I relied on it quite a bit for this new album, and it often led to much more honest and personal expression than I could have gotten to otherwise. It’s very hard to write about nothing for very long, and the real stuff sneaks out of you when you’re not looking.

I was certainly thinking of They Might Be Giants once I got to the recording process – accordion plus electric guitar, keep it short and sweet, make it fun. I wanted it to sound like a marching band falling down some stairs. Of course the real magic in this song wasn’t released until I began performing it live on the Zendrum, at which point I was finally able to get to how it really sounded in my head when I first found it, which is to say “insane and kind of about pants.”

You can find more info on this song, a store where you can listen to everything, and also other stuff at jonathancoulton.com.